Archives for 2015

Nita Naldi

Nita played many roles in Rudy’s life, the most important of which were co-star, friend, and intimate. Excerpted from “Rudolph Valentino The Untold Story,” here are some of his observations on their personal rapport, also her impact on movie-goers.

This woman was one of the best foils any actor could ever have! We were opposites but that allowed us to compliment each other. Attractive but not pretty in a conventional way, she could convey the most nefarious mannerisms, vamp-like behavior that was thoroughly, and morally, bankrupt. Nita and I were great buddies and the rumors are true. We did once explore when everything seemed new. Then we had a laugh about it later, curiosity having paid its due. Without Nita to support me, I could not have mastered those roles as effectively as I did. She was an icon and, of course, the women in the audience were not threatened by our kisses, knowing that we would not truly succumb.

Nita was the archetype of temptation every time we appeared together on screen. In real life, however, she was blasé, never took Hollywood too seriously, yet grateful that her look, and demeanor, were so perfect for the moment. I remember her fondly. Love, Rodolfo.” ~ Rudolph Valentino

Valentino Symposium

Here are some conclusions and opinions of noted Valentino scholars, in no particular order. They were presented at the symposium on the life and career of Rudolph Valentino, sponsored by the film department at the University of Turin in 2009.

  • Natacha Rambova was quite involved with the production of “Cobra,” perhaps more so than any other Valentino picture. She is said to have channeled her contributions to the script via automatic writing.
  • The occult is a theme, for Rudy personally, and among many of the people who knew him.
  • The original Valentino Society papers from the Leslie Flint collection are now at the Museo del Cinema in Turin. That museum, by the way, has quite a nice collection of Valentino memorabilia.
  • Rudy showed his literary prowess early on when at age 13 he wrote an essay entitled “The Regiment Passes” while he was at boarding school in Perugia. The content is remarkable both for its depth and sophistication.
  • Natacha contributed to Valentino’s career by supplying a context.
  • Rudy’s underlying pathos is what made him so appealing to movie-goers.
  • Rudy missed out on playing the lead in “The Spanish Dancer” opposite Pola Negri because he went on strike. Antonio Moreno got the part.
  • Rudy sometimes described himself as a “lapsed intellectual.”
  • The June Mathis penned RVG scripts (of which there were five) re-define masculinity as non-violent, sexually open, and curious. Her scripts also include elements of the spiritual or transpersonal. In “The Conquering Power,” the script had Rudy kissing his girlfriend’s knees. As that was deemed too daring, the scene was cut from the film.
  • Everything Italian about Valentino was repressed. He was displayed, therefore, as an exotic, of various backgrounds. The only time he played an Italian is in “Cobra.”
  • “Lo sguardo” ~ his gaze, perhaps his most powerful attribute!

~ Wayne Hatford

 

 

 

 

Rudy Plays Twenty Questions

“Short Artistic and Sentimental Review” is the title of this unattributed Q & A, twenty questions that were posed to Valentino in 1922, soon after the release of “Blood and Sand.” His answers are both revealing and a reflection of the image he wanted to create in the minds of movie-goers at that time. This document was on display in 2009 at the Museum of Cinema in Turin, Italy, as part of an exhibit dedicated to Rudy’s life and career. Please note that strictly speaking not all of his answers fully align with the facts.

1. Your regular first and last name? Rodolfo Valentino; in English, it’s Rudolph.

2. Your nickname? Rudy

3. What is the first film you made? “The Married Virgin,” directed by Joseph Maxwell.

4. What is your favorite role? The one I played in my last film, “Blood and Sand.”

5. Do you like criticism? Yes, a lot.

6. Do you have a fetish? Yes, my wife.

7. What is your favorite color? Black Iris

8. What is your favorite perfume? Maharajah

9. What are your defects? I am irascible and nervous. I have a quick temper, plus many more.

10. Do you smoke? Yes, lots of cigarettes.

11. Are you a gourmand? Not really.

12. What is your motto? “Post Tenebras Lux.”

13. Are you faithful? Yes, very.

14. What is your ambition? For the world to like me.

15. What are your good points? I think I have one or two small ones, but I don’t know what they are.

16. Your favorite authors? D’Annunzio, Dante, Carducci, Maupassant, Hugo, Baudelaire.

17. Are you superstitious? No.

18. Your favorite composers? Mozart, Puccini, Mascagni, Wagner.

19. Your favorite artist? Raphael.

20. Your favorite photo? The one I give you.

 

 

 

 

Leo Rising ~ Valentino’s Birth Chart

Rather than attempt a full-blown analysis of Rudy’s astrological birth chart, I would like to focus on a few key elements. First of all, Rudy was born at 10:03 AM on May 6, 1895 in Castellaneta, Italy. This is the time indicated on his birth certificate, on display at Museo Valentino in Castellaneta, whereas the internet gives it as either 3 AM or 3 PM. With a 10:03 AM birth time, Rudy has 2 degrees Leo rising.

Think about it, the magnificent carriage, innate radiance, warmth and charm, all befitting what is commonly thought of as Leo energy interfacing with the world! These traits were Rudy’s calling cards, the lens through which he appealed to his fans.

Let’s also take a moment to note what sign is on the opposite cusp in his chart, the house of relationships, which in this case is Aquarius. Natacha Rambova, above all, fit the profile: she was strong, independent, creative, unusual, avant-garde, and at least as much of a friend as lover. Indeed, people who have Aquarius in the 7th house want friendship to be an important ingredient in any sexual relationship.

A couple of other crucial elements: Mars conjunct Jupiter in Cancer in the 12th house and Moon in Libra in the 3rd house.

The Mars/Jupiter connection created the exquisite sense of tenderness Rudy was able to convey in his screen characters, as well as providing him with strength and stamina. Mars in Cancer alone in the 12th would indicate a retiring nature. However, with Jupiter conjunct it and a Leo ascendant, he was wired to be an extrovert, even though he did require some alone time every day to re-charge his emotional batteries.

Moon in Libra speaks to an affable nature, friendly towards all, which Rudy, by all accounts, most definitely was. And it was in the 3rd house of his chart, ruled by Gemini and reflexively, communication. No wonder Rudy was so facile with languages! His thinking was often deep and complex as indicated by his own writings and musings. His was a lively wit, and he knew how to turn a phrase to his advantage, meaning he always gave people something to think about!

Finally, there is Venus in Gemini in the 11th house. Rudy had a huge number of friends and acquaintances, and he was intrigued by all of them to greater or lesser degrees ~ another reason why it was so easy for him to relate to people. However, he only allowed a few to enter the inner circle, the arena where he gave himself permission to be vulnerable. He approached both beauty and love with great curiosity, a hallmark of Venus in Gemini and formidable asset in his work as an actor.

Mr. Valentino, quite a multi-faceted individual ~ as we all are!

~ Wayne Hatford

Charlie Chaplin

Here Rudy recollects about his interactions with Charlie, especially when they were both associated with United Artists Pictures.

Although he was somewhat of an enigma, I found him rather brilliant, engaging, and conversant on any number of subjects. He was also quite eclectic in his personal tastes and very sure of himself professionally. We did socialize upon occasion but never approached the border of intimate friends, the kind who would share most things.

During “The Eagle” shoot, he appeared several times to reassure me, and the cast, I suppose to marvel at our accomplishments, be the goodwill ambassador for United Artists Pictures. He knew our work would please the public, had a smell for that kind of thing.

I did not witness any of the quirks that have been assigned to Mr. Chaplin over the years, nor did I ever observe him in character as the little tramp, even though hints were there, present in the way he moved ~ body language you say today. I remain grateful for the opportunity he, Doug, and Mary gave me: to become a part of their film family.” ~ Rodolfo Valentino