Charlie Chaplin

Here Rudy recollects about his interactions with Charlie, especially when they were both associated with United Artists Pictures.

Although he was somewhat of an enigma, I found him rather brilliant, engaging, and conversant on any number of subjects. He was also quite eclectic in his personal tastes and very sure of himself professionally. We did socialize upon occasion but never approached the border of intimate friends, the kind who would share most things.

During “The Eagle” shoot, he appeared several times to reassure me, and the cast, I suppose to marvel at our accomplishments, be the goodwill ambassador for United Artists Pictures. He knew our work would please the public, had a smell for that kind of thing.

I did not witness any of the quirks that have been assigned to Mr. Chaplin over the years, nor did I ever observe him in character as the little tramp, even though hints were there, present in the way he moved ~ body language you say today. I remain grateful for the opportunity he, Doug, and Mary gave me: to become a part of their film family.” ~ Rodolfo Valentino

Rudy on his French Roots

Let’s stipulate that I am/was half French to begin with and my mother had strongly embraced that language and culture, brought them to Italy with her, saw them as a trophy throughout her life. She delighted in speaking French to us as children. It was our own flavor, our refuge, something she thought would make us more able in the world. This is not to say that she did not love Italy, Puglia in particular. Anyway, French, in all its ramifications, seeped into our lives and we thought it grand, saw our capability with it as an entrée. (Door-opener.) So when I went to Paris during my teen-age years to, in fact, sow wild oats, try out the boulevardier (man about town) premise, I summoned my French parts, made them shine, and gathered my forces which later translated to the continental flair I was known to display as aspects of screen characters I embodied.

That we read in French, novels and history in particular, was a really nurturing part of my upbringing. Did I like the precision of French in composition? Not so much as a boy yet I was a sponge. I knew that language inside out, and admired the elegance inherent in the culture. Le Comte (Count) Valentino, perhaps an alter ego? Oh the excesses I knew while in the thrall of my first visit to Paris! How dandy it all was!” ~ Rodolfo Valentino

“Rudolph Valentino The Untold Story”

Am delighted to announce that my new book, “Rudolph Valentino The Untold Story” is now for sale via Amazon.com.

Who better to comment on the life and times of Rudolph Valentino than Rudy himself? Recollections from one of the greatest screen icons of all times, as told to Medium Wayne Hatford. Their third collaboration, this book sheds new light, quells rumors, addresses speculations, corrects the record ~ ‘write’ from the horse’s mouth! And Rudy delivers with wit and panache, the same magnetic charisma he displayed in films.

Read what he has to say now about his leading ladies, family, friends, lovers, wives, colleagues, films and more, his most cherished memories and adventures. A wealth of tantalizing tidbits and reveals, here is Valentino pulling back the curtain posthumously, testifying on his own behalf.

http://www.amazon.com/Rudolph-Valentino-Untold-Vincent-Hatford/dp/0983343667/ref=sr_1_1?ie=UTF8&qid=1416018086&sr=8-1&keywords=rudolph+valentino+the+untold+story

 

 

 

Homme Fatal

It was with his character in “The Sheik” that Rudolph Valentino cemented the image of ‘homme fatal.’ This role imbued him with the mystery of the desert, piquing the imaginations of women around the globe. In fact, after the release of this film ‘sheik’ became a code word for men who exuded danger, adventure and sexual allure, those whose charms were seen as irresistible. The term was also used derisively in some quarters, but in the long run that had little effect on Valentino’s popularity with fans. His brand of exoticism triumphed, and the imitators (other screen ‘latin lovers’) could never replace him.

I invite you to view both Sheik films and make up your own minds. Was this indeed the role he was destined to play, the one he is often most remembered for now?

http://www.amazon.com/The-Sheik-Son-Special-Edition/dp/B000066741

~ Wayne Hatford

Synchronicity in “Son of the Sheik”

Having just viewed Valentino’s final film again, this time at the Castro Theater in San Francisco, I was struck, not only by the perfection of the script in terms of visual story-telling, but by what this role obviously meant to him on a soul level. He somehow knew that this was to be his last cinematographic effort and he wanted to leave us begging for more, to go out at the top of his game.

What is most interesting to me is that by playing both roles Valentino chose to reveal his inner self, seemingly in conflict, in the personas of the Sheik, paterfamilias, still vital and stubborn despite his age, and Ahmed, his prideful and passionate son. The script uses their perceived differences to advance the plot but my contention is that this role was particularly integrative for Valentino. Since he would never reach the age of fifty, he got to experience what being older might feel like, wearing the skin of the Sheik, père. Indeed, it must have been fun for him to play at that through the use of make-up and camera effects.

Valentino, as perhaps no other actor ever could, was able to project the father/son bond, on both sides of the coin, when they appeared together in split screen. How else could two characters be so solid and warm in each other’s presence while at the same time fully maintaining their respective individualities as defined by the script? The big fight scene near the end says it all, especially when the camera reveals father and son briefly linking hands as a sign of their mutual trust and support.

In my opinion, this dual role was therapeutic in some sense as, according to biographers, he did not have a strong bond with his own father. Here he was able to experience that, of his own volition. Having completed this film and already aware that it was going to be successful at the box office before he died, Valentino was able to leave this world knowing that he had given it his all. That is why, I believe, his star became fixed in the firmament and has never dimmed: because he truly showed us his heart!