Whooshing

Rudy, in his inimitable way, comments on one of the more confounding aspects of  ‘this modern world.’

Whooshing has to do with speed, what many of the societies of your world are so enamored with. Well, when we “whoosh” excessively, we cannot hear, neither can we see effectively and, as a result, opportunities go by the wayside. Now there are natural whooshes too, like when we fall asleep and leave the physical body, whether to nap or for the eve. Whoosh is also the sound made by munitions, portending misfortune, and a state of being which can easily be applied to the human condition, the wrinkle in time that is each incarnation. To not whoosh, we have to be more aware of when we are, and at least slow it down a little. Whooshing is sometimes equivalent to being fully ‘in the flow.’ Surprising enough, but we are not always served when we move, in some cases, too quickly.” ~ Rudolph Valentino

 

Rudy in Roma, 1923

What a magical time in my life, savoring the delights of the capital I had not previously known, and fêted, upon occasion, in that pursuit. As you know, Natacha did not accompany me in all of those days, having decided to return to Juan-les-Pins to be with family. So my task was to drink, figuratively ‘boire un coup’ ~ taste the fruits of my renown, and brush elbows with the movers and shakers of local and international film industry. I dreamed of doing a part in Europe, in Rome in particular, some Italian-based theme or project. Don’t think it did not cross my mind! Well, the visit to Nero (i.e. Emil Jannings on the set of “Quo Vadis”) was a soul-awakening experience, to what my home country had to offer, on a deeper, more spiritual level, which I was ready to comprehend then and there, and which I had been unaware of, for the most part, during my youth in Castellaneta and Taranto.

How grand was Rome, how inspiring its monuments, history at every turn, under every block of pavement! Bravo! I listened and I learned. This is what I did there: really saw, and really heard. In the sound of the crickets there is the murmur of the Senate and people of Rome, the roar of Vox Populi!” ~ Rudolph Valentino

 

‘Elationships’

What a lovely concept and a very clever twist on a familiar word! Elation:  being elated, elevated too. Our feelings are heightened when we are elated and that is exactly when breakthroughs occur, walls crumble. Elation equals elastic. There is something fun there that expands consciousness, knowledge, whatever the case may be. This applies not only to relationships with people but also with your ‘drivers’ ~ in other words, what inspires you. These are the things that promote elation. You, for example, (speaking to the author) experience it when we work together ~ always exciting as you never know what will issue forth from my/our pen. But I digress here, just a little. Elation, etheric thing that it is, can easily be achieved in your world ~ something to aspire to. [Read more…]

Patience

A quality that should never be strained. Do not attempt, therefore, to corner or dole it out. Like hope, patience must always spring eternal. Heaven-like, we see it reflected in the Nature that surrounds us. Flowers bloom in their time, plants do not force their little buds. Trees do not even drop their leaves all of a sudden. The rub is that on some level we remember our lives in the Astral, and the instantaneous manifestations we all so proudly wrought. Now, what seems like ‘time’ must pass far too often before we get to taste the fruits of our labors. Know that you are not more worthy than the Creator! He/She is patient, so should you be, thus no lusting after outcomes. Simply steer your thoughts in the appropriate direction (where you want them to go) and then begin to allow. Children are actually far more patient than adults and, generally speaking, as one’s age increases patience tends to decrease. Reverse that trend and you will have drunk from the fountain of youth! Patience wears well too, so much better than haste.

When you find yourself desperately wanting to have that which you seek without further delay, go outside in the eve and gaze upon a star, the best example of patience there ever was! Evolutionary tales, never any kind of travail; everything in its time!” ~ Rudolph Valentino

Pulchritude

I was really introduced to this word as Rudy. Actually, someone applied it to me, to my physicality, and I did have a certain ‘savoir faire’ in terms of having a look and how I presented myself, and that is what I want to stress for all of you. Adapt yourselves! Create jauntiness, a ‘désinvolture’ that works for you. Everyone may exhibit pulchritude, and on many different levels. Kindness, too, is a form of it, and an unguent, a balm for the unknowing and unaware. You are not, however, by embracing this concept, making yourself into a chameleon. Rather, you are adapting your “Source” resources, playing with them, actively. Looking good is only a part of that, and everyone can look good!

This is what to remember: no downers please, about gray hair, or aging. Make them instead your crowning glory ~ glory = glorious. Farm yourselves out, thusly, with your own special twist. My smile was a part of it too, of the whole package. When my face broke out in rainbows, people took notice. Don’t be sour, friends, no sucking on lemons! Garb that stops traffic, which does not mean alarming or red necessarily, is also advisable. Good bones, I was blessed with them and so were you! We are all pretty much the same under the skin.” ~ Rudolph Valentino

 

Rudy and the Hudnuts

Rudy, speaking about his in-laws, Natacha’s mother and step-father (Richard Hudnut, owner of a cosmetics company.) “Was I ever dazzled by their wealth, ébloui, as the French might say? Of course, but not in any duplicitous way, and never with any particular goal in mind. I enjoyed watching them revel in their riches, that’s all, just as I did in my own ~ whenever I could! I never sought their largesse and neither was it offered, except in small doses such as tokens of appreciation and hospitality. Our relations had a ‘gemütlich’ quality to them, a generosity of spirit, which is what I really valued.” ~ Rudolph Valentino

 

Climate Change

“The roll of the oceans, the thunder of the plains, all to be exacerbated in these coming years. Vibrational tweaks, the planet reflecting what we, as individuals, are undertaking, namely to evolve at ever-increasing speeds and pace. Climate issues give us plenty to discuss as they are a vibrational fix that everyone can observe, instruct themselves about, and make necessary decisions as a result of. Yes, the oceans are rising, but imperceptibly so, at least, to us. Effects later, in future years. Watch cool areas heat up and hotter areas cool down. Playful…that’s what it is, Mother Nature having a whim and seeing it through. However, take it seriously, because it’s true, it’s real!” ~ Rudolph Valentino

 

Michael Fassbender

“A charming man who is the prototype for a new kind of movie star. He is not magnetic in the traditional sense yet he fascinates all those who cannot take their eyes off of him. Hypnotic in some respect and he fully inhabits his roles. You can feel him inside of them, as you observe him on the screen. Mr. Fassbender has a dual nationality, and in that sense being bi-cultural, as I was, offers him a unique world view, especially because his countries of origin are not always the ones on everyone’s tongue. Michael is a kind soul, generous to those around him, gregarious too, eager to learn, hungry for experience which he translates into the id and ego of each of his characters. Bravo, I say! An auspicious beginning to what promises to be a lengthy career. And, there is the sexual quotient ~ opaque, mysterious, yet available, lurking, full-bore ~ all simultaneously. A stand-up kind of guy, especially for his female fans, and he is mostly unaware of the effects he engenders, which are always cathartic!” ~ Rudolph Valentino

 

Valentino Filmography: “Monsieur Beaucaire”

Artfully is how I approached this film, which is what Natacha and I had in mind; a big splash, my return to the silver screen after what seemed like a rather lengthy absence. Nice work if you can get it, to play dual roles, fey-ish and foppish though they both were on some level. But, I reveled in the details, got lost in some of them too: les dentelles (laces) ~ les mouches (beauty marks) ~ les perruques (wigs.) Tout ça (all of that) was a stretch for me but at the same time expressed aspects of what my characters wanted to be. The intrigue of the court ~ le badinage (banter) ~ les froux (flourishes) ~ les poux (lice) ~ well, they all were a mash up, blend, a lovely glass of port! Yes, “Monsieur Beaucaire” had that aspect to it, decadence, but masking the power that lurked below, under the surface, as personified by the King and court. Though I jumped at the chance to act ‘en papillote’ (figuratively, in parchment or curling paper) ~ I was constrained, as it were, by the weight of the visuals and all that de luxe. The most fun was to be a swordsman, the dashing and daring of my ‘real self ‘ as opposed to the barber/confidant. The female characters, I remember, were of the cardboard variety and that was all as it should be. No real connections with my co-stars in this outing, only superficial ones. Funny, no, odd to admit that now. Well, this was an exercise in excess, lots of trappings with a very slight story line to support them, sort of like wet wash hanging from delicate tree limbs. In our efforts to get things ‘right,’ we missed the big picture, and in making this observation I mean myself, Natacha, and the Director, so blinded by our desire to create a work of art were we.

Many critics panned this movie and I would say that the whole of it boils down to one of my least favorites. Top-heavy it was, like the hair pieces we all wore and fussy, like the ribbons that festooned our pantaloons. Light and shadow, having a field day! Unfortunately, stories of another century do not always comport well with the current one. Again, what I liked best was the swordplay, my chance to inject a little ‘Fairbanks’ into the picture. Paramount was sorely disappointed with its performance. Not the right vehicle for my comeback, but quite a few poses! Un bal masqué, the perfect metaphor for this film.” ~ Rudolph Valentino

“Egyptian Cosmology” by Moustafa Gadalla

Another book I heartily recommend, “Egyptian Cosmology” summarizes the lore of ancient Egyptians in a clear, concise, cogent, and comprehensive manner. Here is a quote, what the author has to say about healing, from the perspective of that time and civilization: “Egyptian medicine understood man as a whole, in tune with the cosmos. The body is an immensely complex vibratory system. Everything is in a constant dynamic state of movements which are intimately connected to the rhythms, harmonies, and pulsations of the universe. Accumulating evidence proves the existence of cycles in the incidence of disease, and in their intensities, which are indicative of cosmic resonance. When ‘out of tune,’ the body was seen as unhealthy or diseased. To heal a person is to bring that person back into tune, by the deliberate summoning-up of the specific harmonic phenomena pertinent to the case.

It is known that musical vibrations induce organic and inorganic substances into patterns and forms, such as plants responding to sound. We also know of the ability of infra-sound waves to shake buildings or destroy organs, and how ultra-sound waves are used in micro-surgery as a knife-less scalpel. It follows logically, that specific human organs and glands can respond to specific sounds. Incantation and chanting are scientifically controlled sound waves, with similar powers to the cases mentioned above.

By pronouncing certain words or names of powers, in the proper manner and tone of voice, the ancient Egyptian priest or doctor could heal the sick, cast out the contrary/incompatible energies which caused the pain and suffering. The power of sound vibrations was important in performing Egyptian chants, spells and calling a person’s name. Everything has a ‘real’ name, a name which enshrines the essence of the thing, which is the thing. To know and pronounce the real name of a god, man, or animal, is to exercise power over it.” ~ Moustafa Gadalla  (“Egyptian Cosmology: The Absolute Harmony” ~ 1997)